Always a Princess by Alice Gaines

TITLE: Always a Princess
AUTHOR: Alice Gaines
PUBLISHER: Carina
LENGTH: Novel (roughly 83k)
GENRE: Historical romance
COST: $5.39

When Philip Rosemont, Viscount Wesley, spots the princess at a ball, he knows immediately she’s a fake. The question is, why is she pretending to be an Eastern European noblewoman and how quickly can he get her to himself? He doesn’t expect to find her trying to pilfer their hostess’s jewels, especially since he’s just taken it for himself, but by the time she shows up at his home the following day with the intent of blackmailing him to keep his secret, he’s already decided they’d make a fabulous team, both in thievery and elsewhere…

I had a splendid experience with a book I read by this author last year, and this second effort proved just as entertaining.

The delight starts early and swiftly. We open at a ball, where Philip, the Viscount Wesley, has spotted a woman who is clearly an imposter, pretending to be a princess from a small Eastern European country none of the simpering men surrounding her have even heard of. Philip has, however, and much to the woman’s chagrin, he’s intimately familiar with it. He quickly discovers that she’s at the party for the same reason he is – to steal jewels from their hostess. Where his motivation is sheer boredom, Eve – the imposter princess – is doing it in retaliation after having lost her position as governess when her employer’s son had her take the fall for a cameo he stole from his mother. Eve’s rationale is that since she’s already been accused of thievery, she might as well do it. So far, her plan has worked well. But then she met a man who’d actually been to the country in question, and now everything is in disarray. In an attempt to keep control of the situation, she decides to blackmail him, to force him to pay her to keep his secret that he’s really the Orchid Thief. Philip laughs at the offer. His reputation is the last thing he worries about. But he’s got a counter offer in mind, one that poses them as partners rather than adversaries.

I was laughing at this wonderful farce almost from the start. Philip is roguish and intelligent, with just enough determined swagger to keep him edgy and the right balance of manners to keep him from going over the top. His dialogue, no matter who he’s addresses, comes fast and furious, leaving no room for skimming for fear of missing something he’s said. He typifies the farcical nature of the entire story, and honestly, what a breath of fresh air it was. There isn’t nearly enough farce in romantic fiction, probably because it’s hard to do well. This succeeds. Very, very well.

Is it the most original story? Well, no, but that doesn’t matter when the dialogue and hero sparkle as much as they do. The set-up, taken outside of the context of farce, would be hard to tolerate, because a reader would be left with abundant questions on how so much could get handwaved away (Eve’s acceptance into the ton as nobility before the Rosemonts vouch for her, for one). But farce demands a stretch of that acceptance, and as long as you’re prepared to go that far, it works anyway. The chemistry between the two leaps off the page, mostly as a result of Philip, and the sex when it comes is scorching.

The complaints I have are few. First of all, Eve isn’t quite as entertaining as Philip, but then again, he tends to get the best lines so it’s easy to get eclipsed by that. I did find her ultimate secret a tad banal considering the nature of the story, and it veered dangerously close to more dramatic historical romance as a result. It felt out of place in a story that was so outrageous already. There’s also a point just over halfway through when Philip lost his shine and turned into one of the simpering men who’d been fawning over Eve at the start. It’s just when he’s begun to realize the depths of his feelings for her, and his behavior becomes uncomfortable to witness. It doesn’t last, thank goodness. If it had, it might have been hard to finish.

But what a joy it is to find a book that has me laughing and smiling as much as this one did. While humor can be quite subjective, especially in written form, I think it’s safe to say that this author’s style of it definitely works for me.

Readability	9/10 – Far-fetched, but funny with witty banter you can’t take your eyes off
Hero	9/10 – Except for a brief period where he turned into one of the simpering fools from the beginning, delightfully roguish and witty
Heroine	7/10 – Not as consistent as the hero, and her secret is a little banal in light of the farcical nature of the story
Entertainment value	8/10 – Delightful and funny, as long as you accept it as farce
World building	7/10 – Stretches credibility, but then again, that tends to be one of the requirements in farce
TOTAL:	40/50

And Hell Itself Breathes Out by A.R. Moler

TITLE: And Hell Itself Breathes Out
AUTHOR: A.R. Moler
PUBLISHER: Torquere
LENGTH: Novel (roughly 74k)
GENRE: Gay paranormal erotic romance
COST: $6.99

In a bid to gain more power, two young men in an exclusive fraternity begin performing blood rituals, leading to deaths that remain unsolved by DC police and the SIS. Two authority figures, Agent John Benchley and Detective Evan Garrett, are working the cases independently until they realize they can get further working together. Then, their working relationship turns into something more…

I’m always excited about finding books that try to do more than the usual romance, but sometimes, they end up biting off more than they can chew.

In a series of short scenes, we’re introduced to a wide range of characters – the power-hungry, greedy fraternity brothers; agents in the SIS, a special branch of the federal government that deals with the odd and the occult; detectives in the DCPD. It gradually narrows down to the primary players, Agent John Benchley and Detective Evan Garrett. When they start sharing notes, things start coming together, but bodies are still stacking up.

The problem with this novel is that it can’t decide what it wants to be, and as a result, never really succeeds at any of them. There’s the paranormal angle, with the ritualistic murders; the police procedural angle, with the careful deconstruction of the cases; the romance, with the slow, steady relationship between John and Evan. It tries, it really does, but the prose isn’t nearly sophisticated enough to pull it off. The scenes are too short and static to build any sort emotional connection, and the constant headhopping and frequent editorial errors (missing prepositions, missing articles, etc.) only added to that disconnect.

Each does have strengths, though. Careful detail is given to the procedural aspect, sometimes too much. The romance sets itself apart from the norm with the gradual build-up. It was refreshing to have two strong leads not immediately jump into bed together if it wasn’t appropriate. The bloody paranormal angle is effectively gruesome (though more sensitive readers might want to be wary). I just wish it had been put together more smoothly, with a better balance so that I could genuinely care. I’ve had better luck with other stories by this author, so I know it can work. Just not in this one.

Readability	5/10 – Headhopping, proofing errors, and short jerky scenes did nothing to create any kind of flow
Hero #1	5/10 – Nice and intelligent, but it took too long for him to form any kind of personality
Hero #2	6/10 – More interesting than John, but suffers from the same lack of focus for too long
Entertainment value	3/10 – The story’s lack of focus prevented any one angle from succeeding satisfactorily
World building	7/10 – The procedural aspects were well thought if a tad boring
TOTAL:	26/50

Reckless in Moonlight by Cara Bristol

TITLE: Reckless in Moonlight
AUTHOR: Cara Bristol
PUBLISHER: Loose Id
LENGTH: Novel (roughly 44k)
GENRE: Contemporary erotic romance
COST: $5.99

Dana Markus is in the middle of a divorce. Her husband left her for a woman barely older than their daughter, and now she finds herself wondering about her own desirability at the age of forty-five. During an evening skinnydip in her pool, she fantasizes about her neighbor’s twenty-eight-year-old son, only to have him show up in the hot, living flesh only moments later. Attraction flares from the start, but Dana isn’t looking for a relationship, and especially not one with a younger man. But their desire for each other is combustible. Is it so wrong to want some of that passion for herself for a change?

I have to admit, I’ve been curious about this author. I hadn’t read anything by her before now, because the titles I’d seen were domestic discipline in nature, and while I understand it’s purely fantasy and escapism, that’s a no-go area for me, no matter what. So when I saw this older woman/younger man story come up, I decided to take the plunge and try her. I learned something very important. Her erotic style and sense of humor don’t mesh with what I enjoy.

It’s a straightforward contemporary. Dana is forty-five and in the throes of a divorce. Her husband cheated on her and left her for a woman only two years older than their daughter, and Dana is feeling less than desirable. She fantasizes about the neighbor’s hot son, a twenty-eight year-old doctor with a body like Adonis. The night they actually get to meet face to face – in her backyard after she’s been skinnydipping – that fantasy becomes reality. Lon has been lusting after his parents’ hot neighbor for months, and now that he has got a taste of her, he wants to have a go at dating. She’s a little hung up on the age difference, but he quickly takes care of that. With lots and lots of sex.

Buying from LI is a lot like buying from EC 90% of the time. The focus tends to be on the sex in the romances, which isn’t always a bad thing. It only gets in the way when the erotic style doesn’t work for me, and unfortunately, that was the case here. Much of it has to do with terminology, and that’s a preferential thing that varies from reader to reader. What bothered me – like having cocks and pussies referred to as “weeping” – might not bother others. I did debate early on if I should keep going once I realized I was going to have issues with it, but because it’s such a recent release and because I’ve been so curious about this author for so long, I stuck it out.

It wasn’t just the erotic style that didn’t work for me. Attempts to lighten the mood with jokes and banter fell flat as well. Humor is so subjective, though. Lines like, “I plan for you and my cock to get to be best friends,” are obviously meant to be funny (within the context of the story), but just made me roll my eyes and wonder if I was reading about teenagers instead of adults. I ended up feeling rather indifferent about the whole experience, from the characters to the romance to the sex. I don’t regret buying this book, though, because my curiosity has finally been satisfied.

Readability	6/10 – Purely based on the author’s humor and erotic scenes not working for me
Hero	4/10 – So much was spent on the sex there was too little time to learn what he might actually be like when he wasn’t
Heroine	5/10 – At least she didn’t whine about the age difference for half the book
Entertainment value	3/10 – I learned the author’s erotic style and sense of humor does not mesh with what I enjoy
World building	5/10 – Everything felt skimmed over in favor of all the sex
TOTAL:	23/50

To Die For by Caitlyn Willows

TITLE: To Die For
AUTHOR: Caitlyn Willows
PUBLISHER: Amber Quill
LENGTH: Novel (roughly 42k)
GENRE: Contemporary suspense erotic romance
COST: $7.00

Once a victim of domestic abuse, Zoe has moved on with her life, doing her best to rebuild with the man responsible for the damage behind bars. But now he’s out, and in a chance encounter, lets her know he’s coming after her. When Detective Frank Ludwig finds out, he swears to protect her. He’s been in love with her for six months, and damned if he’s going to let anybody hurt Zoe, even if she’s more than capable of taking care of herself…

Though this romantic suspense had a lot of potential in it, I finished it feeling like it just never quite hit the mark.

It starts off at an emotional high, as Zoe is coming off her shift where she has just saved a cop’s life by talking to him and keeping him engaged. However, in the same incident, she was also threatened. Her abusive ex-boyfriend was the criminal in question, and when he heard her voice, exploded with anger, emotions that have built since he was arrested and convicted after she’d turned him in. She arrives at a Denny’s, trying to figure out what she’s going to do next, and is dismayed to see a group of cops she works with there already. They applaud her as a hero, but when the man she’s been lusting over, Frank Ludwig, decides to join her, the whole story comes out. Frank has been in love with Zoe for months. When he hears about the danger, he refuses to see her slip through the cracks, taking her personal safety into his own hands while the department does what they can to track down her ex. Thus begins an explosive few days, as the threats escalate and the pair come to grips with their mutual attraction.

In spite of the confusing opening pages, enough becomes clear as the story progresses and Zoe opens up to Frank a little. I was intrigued about where it was going. Zoe is sympathetic and relatable to many women, insecure, plus-sized, and I liked her, even though she felt scattered. I disregarded the latter because it felt organic to her situation. I was meeting her in the middle of an emotional crisis. Of course, she’d be scattered. But what was scattered at the start became bouncing around from one extreme to another as the story progressed. It got a little tedious.

Frank proved the same. I liked him from the start, his fierce defense of Zoe, his determination to do the right thing. I was rolling onto loving him until the first time he really put his foot in his mouth. He has a tendency to stop thinking once their relationship turns sexual, and blurts out the first thing he thinks of, which is usually very much the wrong thing to say in the moment. This propensity gets worse as the story goes on, mostly because it felt like that was the only way to create any internal conflict between these two. They yo-yo like this throughout the entire book, a jerky effect that is mirrored by the stop and go nature of the suspense angle. It makes it easy to put down, even though I wanted to pick it up again moments later.

Suspense thrives on building tension, and while there is danger throughout this book, when the lulls come, the tension drops away almost entirely rather than ebb enough to relax the reader into getting sucked even harder into the next swell. I suspect it worked against me because of the extended nature of the romantic scenes within those lulls. I needed that momentum in the romance, but they went on too long for me, even as hot as these two were together.

In the end, the story was enjoyable enough for me not to regret reading it, but I ultimately feel like maybe with some tighter editing, it could have been really great.

Readability	7/10 – Minor typos and some terminology that usually turns me off, but otherwise swift and easy
Hero	6/10 – His reactions felt realistic in hindsight, but his propensity for stepping in it wore thin
Heroine	6/10 – Liked that she knew how to take care of herself, but she felt a little all over the place
Entertainment value	6/10 – The pacing was rather jerky, making it easy to put down when I hit lulls
World building	7/10 – The emotional reality of Zoe’s past was well-done, but I kept feeling like I was missing something in regards to the suspense portion
TOTAL:	32/50

Next review on Thursday

As I'm against SOPA and PIPA, I'm logging off on Wednesday. I will post my review on Thursday instead.

From Afar by Ava March

TITLE: From Afar
AUTHOR: Ava March
PUBLISHER: Samhain
LENGTH: Novella (roughly 73k)
GENRE: Gay historical paranormal erotic romance
COST: $3.50

For three years, Raphael has admired Aleric from afar, but one night, when Aleric gets attacked by thieves, Raphael finds himself at Aleric’s side. A bad injury has Aleric hovering on the brink of death. Incapable of imagining a world without Aleric in it, Raphael does the unthinkable. He turns him. Now he just has to hope Aleric doesn’t hate him for it, or that London’s vampire clan leader will allow either of them to survive his transgression…

I like good erotic scenes as much as the next gal, but if it’s trying to be sold as a romance, too, I need a little bit more than that. This novella is a perfect example of just not enough.

The eroticism begins almost immediately, with vampire Raphael perched in his favorite tree, watching the object of his lust and affection with a prostitute. He jerks off, then proceeds to follow Aleric home. When Aleric is jumped by thieves, Raphael intervenes to help. His aid comes too late, however, and Aleric is mortally wounded. Raphael reacts to the moment and proceeds to turn him.

To be honest, not a whole lot happens after that, except sex, a little bit of tension regarding the head of the London vampire clan, and then some more sex. So while the author’s prose affords satisfying tension within the erotic scenes, when it comes to anything else, well…there’s just not much there. Both male leads suffer from stunted characterization. They’re not unlikeable. They’re just very one-note. Raphael is consumed with his crush on Aleric, while Aleric spends too much time floundering from his vampire adolescence to have any real understanding of what he might be like. Without being able to connect to them emotionally, I can’t connect to the romance, no matter how sizzling their sex scenes might get.

As impressed as I was with the facility of slipping into the author’s human historical world, I was equally disappointed by the paranormal aspect. We get some answers about how the vampires work in her vision, but not many, and in a market where every author tends to pick and choose which mythos to use, that’s a detriment. It’s understandable why more aren’t forthcoming. Raphael is an outsider to the vampire world, and his one real source of information is a potentially deadly one to him. But choosing to gloss over real answers because of a protagonist’s lack of insight felt like a copout. It’s too easy, and left me ultimately dissatisfied.

Overall, this was an easy, hot read, but if you’re looking for any type of depth of real romance, you’re not likely to find it here.

Readability	8/10 – Smooth and easy, with just a hint of being too terse
Hero #1	6/10 – His loneliness is appealing, but so much of his characterization is zeroed in on his feelings for Aleric that he doesn’t really get to escape that for more
Hero #2	5/10 – Nice enough for the erotic sections, but not interesting enough to anchor the romance
Entertainment value	6/10 – Reading purely for the eroticism, it works, but the romance and the paranormal world-building are too shallow to rate this higher
World building	7/10 – The human world is painted well enough, but Raphael’s outsider status seems like an easy excuse to not bother answering valid questions about the vampire world
TOTAL:	32/50

Fractured by Sandra Sookoo

TITLE: Fractured
AUTHOR: Sandra Sookoo
PUBLISHER: Liquid Silver Books
LENGTH: Novella (roughly 35k)
GENRE: Futuristic sci-fi erotic romance
COST: $5.25

Major Rick Keenan is on his way back to Earth from his very last mission before getting stuck in a desk job when his shuttle is trapped by a tractor beam on one of Saturn’s moons. When one of his crewmen is captured while in search of crystals they need, he sets off on a rescue, only to discover he’s been taking prisoner to be food by an alien female who needs his blood to survive. Rick agrees to trade places with his crewman, in hopes that he can broker some kind of relationship between their species, but he quickly finds out it might not go as he intends…

My son is in love with Once Upon a Time, which means I’ve been exposed to a lot of fairytales recently. When I saw this was a retelling of Beauty and the Beast, I decided to give it a go. Unfortunately, while the premise is interesting, the characters don’t live up to their potential.

All of his life, Rick has wanted to explore the stars and meet alien races. With the space program about to be dismantled, however, he’s on his very last mission. At least until he and his shuttle are trapped on one of Saturn’s moons. One of his crew goes out in search of items they need to take off again, but when he calls in a distress signal, Rick does what he has to and goes off to rescue him. He finds him prisoner of an alien female, one with fangs and bloodthirst, who needs the man for food. Rick barters a trade – his life for his crewman’s – and ends up in the unique position to try and find some sort of peace between humans and this strange alien. Marin hates humans, since they’re responsible for the Cleansing and the scattering of her species, but Rick seems different. Her lonely existence is eating her up, and though she won’t admit it, she is desperate for a change. Rick seems like the perfect opportunity for that.

The fact that the fairy tale has been reversed, with the heroine as the Beast, was a great starting point for this story, but for me, it never really got off the ground. Part of it came with some early proofing mistakes (She'd been taught that only members of her own race could make her feels thus, for instance) that jerked me out of the reading experience. It’s a peeve, it really is, but I wanted to like this so much that I stuck with it. Though the rest of the prose is certainly competent enough, the spark I needed from either one of the two leads never managed to materialize. Marin had the potential to be interesting, but her erratic moods wore on me quickly. Rick, on the other hand, bored me. His reactions throughout the beginning and most of his imprisonment were rational and realistic, but that was about it. I never really got what was so special about him, other than being told Marin was attracted to him.

Other awkward aspects that hindered the reading experience included a couple flashbacks that were meant to give some history about Rick, but jolted me out of the moment with frantic searches back in the story to determine what the year header meant in terms of the continuity. It was clumsy, and with the passages so short, felt pointless. I couldn’t help but wonder if the information they were meant to convey couldn’t have been passed along in some other way. An epilogue that happens when there isn’t really a resolution to the story yet (except for declarations) felt even odder, especially since it was divided into two sections, one taking place three months later. The first half of it was actually the real resolution of the story, which for me means it should be part of the story, not part of the epilogue. The epilogue would’ve had much more of an impact had it just been contained to the three months later segment.

One bright spot was the care taken in creating Marin’s species. I could see her clearly, and felt like I understood how her kind had reached the point it had. It would’ve been nice to see the same care taken with the rest of the world-building, but with so much of the story contained to the confinement, this isn’t so much a flaw as it is an annoyance.

I can’t recommend this book except to fans of the author or those who might fare better than I did with the two leads.

Readability	7/10 – Early errors in proofreading almost made me stop, though the rest of the prose is fairly innocuous
Hero	5/10 – Realistic reactions, though he didn’t charm me at all
Heroine	5/10 – Liked the reverse on the Beast angle, but she otherwise felt flat
Entertainment value	3/10 – Though I liked the premise and twist on the fairy tale, I never felt any chemistry between the two which made the story fall flat
World building	7/10 – Some good details, though the concentration on her as an alien species ends up meaning less time on other aspects
TOTAL:	27/50

Past Her Time by Melissa Jarvis

TITLE: Past Her Time
AUTHOR: Melissa Jarvis
PUBLISHER: Siren-Bookstrand
LENGTH: Novel (roughly 81k)
GENRE: Time travel romance
COST: $5.50

As an agent for the Lineage, Alex’s job is to correct anomalies in the timeline without interfering with anything else. Being placed in 1793 Revolutionary France isn’t her favorite assignment, though. She hates the stuffiness, and the etiquette, and having to play the simpering female, but a job is a job…at least until she runs into an Englishman with an unknown connection to the man she’s supposed to save from the guillotine…

I’ll be honest. Even though I’ve had this book since its release last summer, I’ve been reluctant to try it due to its publisher. That was a trifle unfair. Though it might look like it on the surface, Siren does actually publish more than the outrageous ménages I associate with them. This certainly could’ve been published by any number of other e-pubs just as easily.

It’s a time travel romance about Alex, a woman from the 21^st century who works for an agency called the Lineage. Her job is to correct anomalies in the timeline without interfering in local events beyond what she’s instructed to. Her latest has her in Revolutionary France where her mission is to prevent a man named Fontaine from getting executed before his time. In a chance encounter, she meets Englishman Gabriel Huntington and quickly learns that he’s an associate of Fontaine’s. Since he has appeared nowhere in her brief, she keeps tabs on him, hoping to use that connection to get to Fontaine. It works too well. She soon learns Gabriel also helps to rescue people from the guillotine, which casts him in an entirely different light than she was expecting. For his part, Alex – or Alexandra, as he knows her – is different than any other woman he’s ever met, able to see through his pretenses, keeping him on his toes. Their chemistry sparks early on, but the rules of her assignment are clear. No involvement. She’s just having problems actually obeying them.

I do love a good time travel, and combined with how I was feeling guilty about shuttling this to my TBR for so long just because of its publisher, I was determined to stick this one out. It wasn’t easy in the beginning. The first chapter was good – tense, action-driven, sympathetic characters. But the first bit of exposition that occurred on Alex’s purpose, with her interaction with her partner Banderan, threw me into a tailspin. She specifically says this is their fourth assignment for the Lineage. Her partner considers her a rookie still. Yet, very soon after (in the same scene), there are allusions to a time when she broke cover and her claim it was one of only a few, the large number of broken hearts Banderan has left behind, as well as blatantly saying she’d been working with him for years. I couldn’t sort that out in my head. They’d had four assignments, and worked together for years? It could only be an editorial inconsistency, I thought, and debated giving up then. If there was such a blatant mistake that early on, it didn’t bode well for the book.

However, I decided to persevere. Eventually, I decided an assignment was a blanket term meant to apply to being placed in a specific time period, and that each anomaly they corrected within it was something else entirely. That was the only way to justify the inconsistency. That rationalization seemed to fit with what I was reading, and soon, I could let go my mistrust of the book to slip into the story.

The fact that it was action-packed helped. It wasn’t always clean – there were time and scene shifts within chapters that felt inorganic and jumpy – but it always moved the story forward. I also liked the characters enough to see it through. Neither one was anywhere near as smart as they thought they were – a couple times Alex made such stupid mistakes, it was hard to believe she’d been an agent for years – but they really did have some chemistry, and I was intensely curious about how it would get resolved.

The action and chemistry compensated for a lot of the other shortcomings. In addition to the things I mentioned earlier, the time travel isn’t handled very cleanly, and I had a lot of questions about how some things worked. This book is labeled as book 1, so I imagine a second will be out at some point that might do a better job at explaining. About Banderan, perhaps? I don’t know. Maybe. I’ll decide if I see its release whether or not it’s worth it to continue. Right now, I’m on the fence.

Readability	8/10 – Good detail and flow without being overbearing, though the lack of clarity on assignments near the beginning had me wary of editorial issues for far too long
Hero	7/10 – I liked him, but I thought his constant masks weren’t differentiated enough to be as stark as the heroine claimed
Heroine	7/10 – Not nearly as smart as she thinks she is, but still likeable for the most part
Entertainment value	7/10 – Though it took me a while to get past my misgiving at the start, there was enough action and chemistry to keep me involved for the duration
World building	7/10 – The historical detail was good – if a little coy at times – but the time travel element wasn’t as clear as it should have been
TOTAL:	36/50

In the Darkness by Charles Edward

TITLE: In the Darkness
AUTHOR: Charles Edward
PUBLISHER: Loose Id
LENGTH: Novel (roughly 73k)
GENRE: Gay historical fantasy erotic romance
COST: $7.99

Gareth is a monster. That’s what he’s always been told. He needs to hide away at night, never be seen. But his curiosity about the outside world drives him to watch, and in watching, he falls in love with a beautiful young man named Evin. Evin is the sexual toy to a powerful young man in his village, and when Gareth sees him getting hurt, Gareth breaks all his rules and interferes. In the days after Evin sees him, refusing to acknowledge him as a monster, the two become fast friends…then more…

This book is just further proof that I’ll finish a mediocre read if it targets one of my bulletproof kinks. In this case, it’s the Beast archetype.

Gareth is that Beast. Forced to spend his days in his parents’ cellar, he is only allowed out at night to do the chores. His parents have warned him his entire life that if he gets seen, he’ll be killed as a monster. The reason for that? He’s green and very large and strong. He also learns that he has unbelievable recuperative powers, which only seems to reinforce the monster accusation. His one escape is sneaking away to watch the people in the nearby village, specifically a beautiful young man named Evin. Evin is the sexual plaything for another young man, one with a great deal more power, and one night, when Gareth witnesses Evin getting hurt, he breaks the rules he’s been given to save Evin. He’s afraid to show himself to Evin, but Evin demands it. Though Evin is at first taken aback by his appearance, he soon gets over it, and the two eventually become lovers. But Evin’s so-called “master” isn’t happy about Evin’s shift in attention, and eventually, Gareth and his peace is interrupted.

In a lot of ways, this is two different books. The first half is straight-up romance. Evin and Gareth are all lovey and sexual and the only conflict is internal. Then, halfway through the book, it shifts to an action fantasy story. There’s no smooth transition, and the writing isn’t nearly sophisticated enough to meld the two. The problems I had in the beginning with an incredibly stilted voice morphed into a lack of clarity once the action set in. Much of that is due to being thrust into a fantasy world with such little preparation. There’s new characters, new politics, new dangers, and it took a long time to get it sorted. Too long. It needed more seamless world-building in the first half to make the latter easier to process. (I was also chagrined to see the perspective slip at the very end of the story. What had been a reasonably tight 3^rd all of a sudden headhopped in a crucial scene.)

So why did I finish it if I had a problem with the voice? Because of Gareth. The Beast archetype is an exceedingly common one in romance, and is one of my bulletproof kinks. I kept on going because I cared about Gareth, in spite of not being fully invested emotionally in the story. His simple ways, coupled with his unexpected gentleness, go a long way in making up for other shortcomings.

Evin isn’t quite as fully fleshed out as Gareth, mostly because he serves as a foil for Gareth in the first half, and then spends too much time not himself in the second. I kept waiting for more, but when it finally came, it was too late for me, and I finished the story a tad disappointed.

It’s certainly not a bad story, but it’s not a great one, either. Readers who are sensitive to sexual violence should likely steer clear, as well as those who’d rather not see any het contact in their m/m.

Readability	6/10 – The stilted voice in much of the first half makes it drag, and the schism between the two halves detracts from it further
Hero #1	6/10 – Tantalizing possibilities with him though not all were realized
Hero #2	7/10 – I’m a sucker for the Beast archetype and Gareth is no exception
Entertainment value	6/10 – Hard to engage because of writing style, then because of disjointed second half
World building	6/10 – It felt like a lot of good ideas that never got the fleshing out they deserved
TOTAL:	31/50

Headstrong by Meg Maguire

TITLE: Headstrong
AUTHOR: Meg Maguire
PUBLISHER: Samhain
LENGTH: Novel
GENRE: Contemporary romance
COST: $5.50

When Libby catches the latest man her father has hired to keep an eye on her, she offers him a deal – play double agent and get her father off her back, and she’ll pay him even more. For Reece Nolan, the offer is tempting. His family is in dire need of the money, but Libby is everything he’s always hated. It doesn’t help that she and his brother Colin hit it off almost from the start. But which brother will eventually win Libby – the one she wants or the one she understands?

I’ll be honest. The only reason I bothered finishing this book is because I’ve loved so many other works by this author. If this had been the first thing I’d ever read by her, I would’ve been done by the third chapter and written off trying anything else.

The plot is straightforward love triangle. Libby is a free-spirited rebel, living on a boat, certified genius who likes to stir the pot. Reece is uptight and glacial, with an eye for the straight and narrow, while his brother Colin is much like Libby. Libby meets both brothers in separate incidents – Colin when he rescues her from an annoying drunk, Reece when she catches him spying on her for her father. Soon, she’s wormed her way into their lives, and all three of them are left wondering just what is going on.

I’m not going to talk anymore about the plot. It’ll spoil everything, and the way it’s played out, it’s impossible to tell just who is going to end up with who until almost the end. Each is given time to explore their point of view, turning it into a bona fide love triangle. There’s just one major problem. I absolutely couldn’t stand Libby. At all. And without liking her, I just got angrier and angrier at how she acted with both brothers.

That’s not to say she’s not well-drawn. She’s clear as day. She manipulates, she likes creating trouble, and she has no problems keeping people on edge. While I liked her initial introduction, as soon as I saw her behavior outside of that specific incident, my opinion of her plummeted. It didn’t matter whose eyes I saw her through, whether it was Reece’s or Colin’s, and it only got worse when it was her own and I could follow her manipulative thoughts. What was probably meant to be forthright and quirky annoyed me to the bone. I loathed how she treated people, and wished more than once she would just go away.

Reece and Colin are much more sympathetic, even as different as they are. Their family is the emotional core of the story, and their presence helps a little bit to mitigate some of the damage having Libby around did for me. But it wasn’t enough. And I was definitely not satisfied with the ending. I was so frustrated with Libby’s treatment of both men that it wouldn’t have mattered which one she ended up with. They both deserved better, frankly. None of her backstory that was meant to help make me understand or like her did anything but make me roll my eyes.

I wouldn’t suggest this as an introduction to this author’s work. I’m not even sure I’d suggest it for a fan of her work. My reactions to Libby are extreme, though, so maybe others might not have the issues with her that I did.

Readability	8/10 – Technically proficient and readable, my issues lie with the characters
Hero	7/10 – I’m not going to elaborate because I don’t want to spoil the triangle
Heroine	3/10 – I’ve often had problems with Maguire’s heroines, but I genuinely disliked this one so much I almost gave up more than once
Entertainment value	2/10 – Triangles work best when all three sides are equal, and my issues with Libby were so strong I was angry more than anything else
World building	6/10 – Proficient enough to create a mood, but not as vivid as I'd expect
TOTAL:	26/50